The following is a full list of all films receiving at least one vote. Numbers in [brackets] denote the film's placement in the Sight and Sound critics' top 50 list.
1. 2001:
A Space Odyssey (1968, Stanley Kubrick) – 35 votes [6]
2
(tie). Citizen Kane (1941, Orson Welles)
– 23 votes [2]
2
(tie). Vertigo (1958, Alfred Hitchcock)
– 23 votes [1]
4. Playtime (1967, Jacques Tati) – 15 votes [42]
5
(tie). The Passion of Joan of Arc (1928,
Carl Theodor Dreyer) – 14 votes [9]
5
(tie). Casablanca (1942, Michael Curtiz) – 14 votes
5
(tie). Singin’ in the Rain (1952, Gene
Kelly & Stanley Donen) – 14 votes [20]
8. Rear Window (1954, Alfred Hitchcock) – 13
votes
9
(tie). The Rules of the Game (1939, Jean
Renoir) – 12 votes [4]
9
(tie). Mulholland Dr. (2001, David Lynch) – 12
votes [28]
11
(tie). His Girl Friday (1940, Howard
Hawks) – 11 votes
11
(tie). The Godfather (1972, Francis Ford
Coppola) – 11 votes [21]
11
(tie). Barry Lyndon (1975, Stanley
Kubrick) – 11 votes
11
(tie). Apocalypse Now (1979, Francis
Ford Coppola) – 11 votes [14]
15
(tie). The Seven Samurai (1954, Akira
Kurosawa) – 10 votes [17]
15
(tie). The Searchers (1956, John Ford) –
10 votes [7]
15
(tie). Dr. Strangelove (1964, Stanley
Kubrick) – 10 votes
15
(tie). The Godfather, Part II (1974,
Francis Ford Coppola) – 10 votes [31]
15
(tie). Blue Velvet (1986, David Lynch) –
10 votes
15
(tie). Pulp Fiction (1994, Quentin
Tarantino) – 10 votes
21
(tie). 10 films with 9 votes apiece:
Sunrise: A Song of Two Humans (1927, F.W. Murnau) [5]
Double
Indemnity (1944, Billy Wilder)
The
Night of the Hunter (1955, Charles Laughton)
The
400 Blows (1959, Francois Truffaut) [39]
North
by Northwest (1959, Alfred Hitchcock)
8
½ (1963, Federico Fellini) [10]
Once
Upon a Time in the West (1969, Sergio Leone)
Jaws
(1975, Steven Spielberg)
Nashville (1975, Robert
Altman)
Taxi
Driver (1976, Martin Scorsese) [31]
31
(tie). 6 films with 8 votes apiece:
The
Umbrellas of Cherbourg
(1964, Jacques Demy)
McCabe
& Mrs. Miller (1971, Robert Altman)
Aguirre,
the Wrath of God (1972, Werner Herzog)
Jeanne
Dielman, 23 Quai de Commerce, 1080 Bruxelles (1975, Chantal Akerman) [35]
Manhattan (1979, Woody Allen)
Do
the Right Thing (1989, Spike Lee)
37
(tie). 12 films with 7 votes apiece:
The
Man With the Movie Camera (1929, Dziga Vertov) [8]
City
Lights (1931, Charlie Chaplin) [50]
The
Lady Eve (1941, Preston Sturges)
Contempt
(1963, Jean-Luc Godard) [21]
The
Good, the Bad and the Ugly (1966, Sergio Leone)
Badlands (1973, Terrence
Malick)
Celine
and Julie Go Boating (1974, Jacques Rivette)
Annie
Hall (1977, Woody Allen)
The
Shining (1980, Stanley
Kubrick)
Chungking
Express (1994, Wong Kar-wai)
In
the Mood for Love (2000, Wong Kar-wai) [24]
Eternal
Sunshine of the Spotless Mind (2004, Michel Gondry)
49
(tie). 13 films with 6 votes apiece:
Metropolis
(1927, Fritz Lang) [35]
The
Third Man (1949, Carol Reed)
Tokyo Story (1953,
Yasujiro Ozu) [3]
The
Apartment (1960, Billy Wilder)
La
Dolce Vita (1960, Federico Fellini) [39]
Lawrence of Arabia
(1962, David Lean)
Au
Hasard Balthasar (1966, Robert Bresson) [16]
The
Discreet Charm of the Bourgeoisie (1972, Luis Bunuel)
Carrie
(1976, Brian De Palma)
Star
Wars: Episode IV – A New Hope (1977, George Lucas)
Days
of Heaven (1978, Terrence Malick)
Videodrome
(1983, David Cronenberg)
The
Tree of Life (2011, Terrence Malick)
62
(tie). 22 films with 5 votes apiece:
Sherlock
Jr. (1924, Buster Keaton)
The
General (1927, Buster Keaton & Clyde Bruckman) [34]
Only
Angels Have Wings (1939, Howard Hawks)
Rashomon
(1950, Akira Kurosawa) [26]
Sunset
Blvd. (1950, Billy Wilder)
Touch
of Evil (1958, Orson Welles)
Rio Bravo (1959, Howard Hawks)
Psycho
(1960, Alfred Hitchcock) [35]
Woman
in the Dunes (1964, Hiroshi Teshigahara)
Weekend
(1967, Jean-Luc Godard)
Night
of the Living Dead (1968, George A. Romero)
The
Wild Bunch (1969, Sam Peckinpah)
The
Mother and the Whore (1973, Jean Eustache)
Chinatown (1974, Roman
Polanski)
The
Texas Chain
Saw Massacre (1974, Tobe Hooper)
Dawn
of the Dead (1978, George A. Romero)
Alien
(1979, Ridley Scott)
Raging
Bull (1980, Martin Scorsese)
Brazil (1985, Terry
Gilliam)
GoodFellas
(1990, Martin Scorsese)
The
Thin Red Line (1998, Terrence Malick)
There
Will Be Blood (2007, Paul Thomas Anderson)
84
(tie). 29 films with 4 votes apiece
M
(1931, Fritz Lang)
Trouble
in Paradise (1932, Ernst Lubitsch)
Duck
Soup (1933, Leo McCarey)
The
Wizard of Oz (1939, Victor Fleming)
The
Magnificent Ambersons (1942, Orson Welles)
It’s
a Wonderful Life (1946, Frank Capra)
Daisy
Kenyon (1947, Otto Preminger)
The
Red Shoes (1948, Michael Powell & Emeric Pressburger)
Ikiru
(1952, Akira Kurosawa)
Sansho
the Bailiff (1954, Kenji Mizoguchi)
Ordet
(1955, Carl Theodor Dreyer) [24]
A
Man Escaped (1956, Robert Bresson)
L’Avventura
(1960, Michelangelo Antonioni) [21]
Breathless
(1960, Jean-Luc Godard) [13]
Last
Year at Marienbad (1962, Alain Resnais)
The
Exterminating Angel (1962, Luis Bunuel)
The
Conformist (1970, Bernardo Bertolucci)
The
Bitter Tears of Petra van Kant (1972, Rainer Werner Fassbinder)
A
Woman Under the Influence (1974, John Cassavetes)
Dog
Day Afternoon (1975, Sidney Lumet)
Network
(1976, Sidney Lumet)
Stalker
(1979, Andrei Tarkovsky) [29]
Blade
Runner (1982, Ridley Scott)
The
King of Comedy (1983, Martin Scorsese)
My
Neighbor Totoro (1988, Hayao Miyazaki)
Unforgiven (1992, Clint Eastwood)
Unforgiven (1992, Clint Eastwood)
Memento
(2000, Christopher Nolan)
Punch-Drunk
Love (2002, Paul Thomas Anderson)
Zodiac
(2007, David Fincher)
And
the rest:
(3
votes)
Les
Vampires (1915, Feuillade)
Nosferatu
(1922, Murnau)
Our
Hospitality (1923, Keaton)
Seven
Chances (1925, Keaton)
Steamboat
Bill Jr. (1928, Reisner)
L’Atalante
(1934, Vigo)
[12]
Alexander
Nevsky (1938, Eisenstein)
Bringing
Up Baby (1938, Hawks)
The
Maltese Falcon (1941, Huston)
La
Belle et la Bête (1946, Cocteau)
Notorious
(1946, Hitchcock)
The
Treasure of the Sierra Madre (1948, Huston)
All
About Eve (1950, Mankiewicz)
In
a Lonely Place (1950, N. Ray)
Ugetsu
(1953, Mizoguchi) [50]
A
Star Is Born (1954, Cukor)
The
Seventh Seal (1957, Bergman)
Some Like It Hot (1959, Wilder)
Some Like It Hot (1959, Wilder)
Jules
et Jim (1961, Truffaut)
Gertrud
(1964, Dreyer) [42]
Persona
(1966, Bergman) [17]
Who’s
Afraid of Virginia Woolf (1966, Nichols)
Don’t
Look Back (1967, Pennebaker)
My
Night at Maud’s (1969, Rohmer)
Claire’s
Knee (1970, Rohmer)
A
Clockwork Orange
(1971, Kubrick)
Two
Lane Blacktop (1971, Hellman)
Love
in the Afternoon (1972, Rohmer)
Mean
Streets (1973, Scorsese)
Mirror
(1975, Tarkovsky) [19]
Kings
of the Road [Im Lauf der Zeit] (1976, Wim Wenders)
Halloween
(1978, Carpenter)
Star
Wars: Episode V – The Empire Strikes Back (1980, Kershner)
Blow
Out (1981, De Palma)
This
Is Spinal Tap (1984, Reiner)
Aliens
(1986, Cameron)
Barton
Fink (1991, Coen)
Naked
(1993, Leigh)
Hoop
Dreams (1994, James)
Heat
(1995, M. Mann)
Safe
(1995, Haynes)
A
Moment of Innocence (1996, Makhmalbaf)
The
Big Lebowski (1998, Coen)
Yi
Yi: A One and a Two (2000, Yang)
(2
votes)
Greed
(1924, von Stroheim)
The
Last Laugh (1924, Murnau)
The
Crowd (1928, K. Vidor)
Morocco (1930, Sternberg)
Vampyr
(1932, Dreyer)
Bride
of Frankenstein (1935, Whale)
Holiday (1938, Cukor)
Ninotchka
(1939, Lubitsch)
Stagecoach
(1939, Ford)
Story
of the Late Chrysanthemums (1939, Mizoguchi)
The
Philadelphia
Story (1940, Cukor)
The
Shop Around the Corner (1940, Lubitsch)
Sullivan’s
Travels (1941, P. Sturges)
Cat
People (1942, Tourneur)
The
Life and Death of Colonel Blimp (1943, Powell/Pressburger)
Shadow
of a Doubt (1943, Hitchcock)
A
Canterbury Tale
(1944, Powell/Pressburger)
Meet
Me in St. Louis
(1944, Minnelli)
Brief
Encounter (1945, Lean)
Children
of Paradise (1945, Carné)
A
Matter of Life and Death (1946, Powell/Pressburger)
Bicycle
Thieves (1948, de Sica) [33]
Unfaithfully
Yours (1948, P. Sturges)
Kind
Hearts and Coronets (1949, Hamer)
Late
Spring (1949, Ozu) [15]
L’Orphée
(1949, Cocteau)
The
Diary of a Country Priest (1950, Bresson)
Stars
in My Crown (1950, Tourneur)
The
Steel Helmer (1951, Fuller)
The
Big Heat (1953, Lang)
Madame
De… [The Earrings of Madame De…] (1953, Ophuls)
Johnny
Guitar (1954, N. Ray)
Voyage
in Italy
(1954, Rossellini) [41]
All
That Heaven Allows (1955, Sirk)
Kiss
Me Deadly (1955, Aldrich)
Nights
of Cabiria (1957, Fellini)
Sweet
Smell of Success (1957, Mackendrick)
Imitation
of Life (1959, Sirk)
Shoot
the Piano Player (1960, Truffaut)
Viridiana
(1961, Bunuel)
West Side Story (1961,
Robbins/Wise)
The
Manchurian Candidate (1962, Frankenheimer)
The
Birds (1963, Hitchcock)
High
and Low (1963, A. Kurosawa)
The
Leopard (1963, Visconti)
The Gospel According to St. Matthew (1964, Pasolini)
The Gospel According to St. Matthew (1964, Pasolini)
Onibaba
(1964, Shindo)
Pierrot
le Fou (1965, Godard) [42]
Andrei
Rublev (1966, Tarkovsky) [26]
Blow-Up
(1966, Antonioni)
2
or 3 Things I Know About Her (1967, Godard)
Belle
de Jour (1967, Bunuel)
The
Graduate (1967, Nichols)
Wavelength
(1967, Snow)
The
Young Girls of Rochefort (1967, Demy)
Head
(1968, Rafaelson)
Rosemary’s
Baby (1968, Polanski)
The
Hart of London
(1970, Chambers)
Four
Nights of a Dreamer (1971, Bresson)
The
Last Picture Show (1971, Bogdanovich)
Two
English Girls (1971, Truffaut)
Cries
and Whispers (1972, Bergman)
Last
Tango in Paris
(1972, Bertolucci)
Don’t
Look Now (1973, Roeg)
The
Exorcist (1973, Friedkin)
The
Long Goodbye (1973, Altman)
Scenes
From a Marriage (1973, Bergman)
Blazing
Saddles (1974, M. Brooks)
The
Conversation (1974, Coppola)
1900
(1976, Bertolucci)
Eraserhead
(1977, Lynch)
Raiders
of the Lost Ark
(1981, Spielberg)
E.T.: The Extra-Terrestrial (1982, Spielberg)
The
Night of the Shooting Stars (1982, Taviani bros.)
Amadeus
(1984, Forman)
Love
Streams (1984, Cassavetes)
Paris, Texas (1984, Wenders)
Stop
Making Sense (1984, Demme)
Ran
(1985, A. Kurosawa)
A
Time to Live and a Time to Die (1985, Hou)
Ferris
Bueller’s Day Off (1986, Hughes)
Wings
of Desire (1987, Wenders)
The
Last Temptation of Christ (1988, Scorsese)
Crimes
and Misdemeanors (1989, Allen)
Kiki’s
Delivery Service (1989, Miyazaki)
Gremlins
2: The New Batch (1990, Dante)
A
Brighter Summer Day (1991, Yang)
The
Double Life of Veronique (1991, Kieslowski)
Hard
Boiled (1992, Woo)
Malcolm
X (1992, S. Lee)
The
Age of Innocence (1993, Scorsese)
Dazed
and Confused (1993, Linklater)
Groundhog
Day (1993, Ramis)
Three
Colors: Red (1994, Kieslowski)
Fallen
Angels (1995, Wong)
Fargo (1996, Coen)
Irma
Vep (1996, Assayas)
Out
of Sight (1998, Soderbergh)
Topsy-Turvy
(1999, Leigh)
The
Wind Will Carry Us (1999, Kiarostami)
Dancer
in the Dark (2000, von Trier)
Requiem
For a Dream (2000, Aronofsky)
The
Werckmeister Harmonies (2000, Tarr)
A.I.: Artificial Intelligence (2001, Spielberg)
The
Royal Tenenbaums (2001, W. Anderson)
Dogville
(2003, von Trier)
The
New World (2005, Malick)
Still
Life (2006, Jia)
Synecdoche,
New York
(2008, C. Kaufman)
Melancholia
(2011, von Trier)
(1
vote)
Broken
Blossoms (1919, Griffith)
Safety
Last (1923, Newmeyer/Taylor)
Girl
Shy (1924, Newmeyer/Taylor)
The
Merry Widow (1924, von Stroheim)
The
Unknown (1927, Browning)
The
Cameraman (1928, Keaton/Sedgwick)
The
Docks of New York
(1928, Sternberg)
Lonesome
(1928, Fejos)
Spies
(1928, Lang)
The
Wind (1928, Sjostrom)
Pandora’s
Box (1929, Pabst)
Animal
Crackers (1930, Heerman)
Earth
(1930, Dovzhenko)
L’Age
d’Or (1930, Bunuel)
An
American Tragedy (1931, Sternberg)
I
Was Born, But… (1932, Ozu)
Shanghai
Express (1932, Sternberg)
The
Gold Diggers of 1933 (1933, LeRoy)
King
Kong (1933, Schoedesack/Cooper)
The
Testament of Dr. Mabuse (1933, Lang)
It’s
a Gift (1934, McLeod)
The
Scarlet Empress (1934, Sternberg)
The
Girl in the Rumor (1935, Naruse)
Ruggles
of Red Gap (1935, McCarey)
Modern
Times (1936, Chaplin)
Angel
(1937, Lubitsch)
Grand
Illusion (1937, Renoir)
History
Is Made at Night (1937, Borzage)
Make
Way for Tomorrow (1937, McCarey)
Olympia (1938, Riefenstahl)
Mr.
Smith Goes to Washington
(1939, Capra)
The
Bank Dick (1940, Cline)
Fantasia
(1940, various)
The
Grapes of Wrath (1940, Ford)
The
Palm Beach
Story (1942, P. Sturges)
Laura
(1944, Preminger)
The
Miracle of Morgan’s Creek (1944, P. Sturges)
To
Have and Have Not (1944, Hawks)
I
Know Where I’m Going! (1945, Powell/Pressburger)
Rome, Open City (1945,
Rossellini)
The
Best Years of Our Lives (1946, Wyler)
Gilda
(1946, C. Vidor)
Black
Narcissus (1947, Powell/Pressburger)
Monsieur
Verdoux (1947, Chaplin)
Nightmare
Alley (1947, Goulding)
Out
of the Past (1947, Tourneur)
The
Big Clock (1948, Farrow)
Fort Apache (1948, Ford)
Letter
From An Unknown Woman (1948, Ophuls)
Louisiana Story (1948,
Flaherty)
La
Terra Trema (1948, Visconti)
They
Live By Night (1948, N. Ray)
Los
Olvidados (1950, Bunuel)
Awaara
(1951, Kapoor)
Early
Summer (1951, Ozu)
The
River (1951, Renoir)
A
Streetcar Named Desire (1951, Kazan)
Limelight
(1951, Chaplin)
Umberto
D. (1952, de Sica)
Gentlemen
Prefer Blondes (1953, Hawks)
The
Naked Spur (1953, A. Mann)
The
Wages of Fear (1953, Clouzot)
On
the Waterfront (1954, Kazan)
Rififi
(1954, Dassin)
Senso
(1954, Visconti)
Les
Diaboliques (1955, Clouzot)
Lola
Montes (1955, Ophuls)
Pather
Panchali (1955, S. Ray) [42]
La
Pointe-Courte (1955, Varda)
Rebel
Without a Cause (1955, N. Ray)
Smiles
of a Summer Night (1955, Bergman)
The
Trouble With Harry (1955, Hitchcock)
Flowing
(1956, Naruse)
The
Girl Can’t Help It (1956, Tashlin)
12
Angry Men (1957, Lumet)
A
Face in the Crowd (1957, Kazan)
Night
of the Demon (1957, Tourneur)
Paths
of Glory (1957, Kubrick)
Wild
Strawberries (1957, Bergman)
Cat
on a Hot Tin Roof (1958, R. Brooks)
Man
of the West (1958, A. Mann)
Some
Came Running (1958, Minnelli)
Anatomy
of a Murder (1959, Preminger)
Fires
on the Plain (1959, Ichikawa)
Floating
Weeds (1959, Ozu)
Shadows
(1959, Cassavetes)
The
Bad Sleep Well (1960, A. Kurosawa)
Black
Sunday [Mask of the Demon] (1960, Bava)
The
Cloud-Capped Star (1960, Ghatak)
Rocco
and His Brothers (1960, Visconti)
The
Young One (1960, Bunuel)
El
Cid (1961, A. Mann)
The
Ladies’ Man (1961, Lewis)
Leon
Morin, Priest (1961, Melville)
One,
Two, Three (1961, Wilder)
Paris Blues (1961, Ritt)
A
Woman Is a Woman (1961, Godard)
Yojimbo
(1961, A. Kurosawa)
An
Autumn Afternoon (1962, Ozu)
Cleo
from 5 to 7 (1962, Varda)
L’Eclisse
(1962, Antonioni)
Lolita
(1962, Kubrick)
The
Man Who Shot Liberty
Valance (1962, Ford)
La
Notte (1962, Antonioni)
Charade
(1963, Donen)
Flaming
Creatures (1963, Smith)
The
Great Escape (1963, J. Sturges)
Shock
Corridor (1963, Fuller)
A
Hard Day’s Night! (1964, Lester)
I
Am Cuba
(1964, Kalatozov)
Kwaidan
(1964, Kobayashi)
Marnie
(1964, Hitchcock)
Red Desert (1964, Antonioni)
Alphaville
(1965, Godard)
Chimes
at Midnight (1965, Welles)
For
a Few Dollars More (1965, Leone)
The
Great Race (1965, Edwards)
Lupe
(1965, Warhol)
Poor
Little Rich Girl (1965, Warhol)
Red
Beard (1965, A. Kurosawa)
The
Color of Pomegranates (1966, Paradjanov)
Come
Drink With Me (1966, Hu)
Masculine
Feminine (1966, Godard)
Bonnie
and Clyde (1967, Penn)
Branded
to Kill (1967, Suzuki)
A
Countess From Hong Kong (1967, Chaplin)
David
Holzman’s Diary (1967, McBride)
In
Cold Blood (1967, R. Brooks)
Mouchette
(1967, Bresson)
Our
Mother’s House (1967, Clayton)
Le
Samourai (1967, Melville)
Faces
(1968, Cassavetes)
Stolen
Kisses (1968, Truffaut)
Yellow
Submarine (1968, Dunning)
Army
of Shadows (1969, Melville)
Femina
Ridens (1969, Schivazappa)
Kes
(1969, Loach)
Midnight
Cowboy (1969, Schlesinger)
Mister
Freedom (1969, Klein)
Still
(1969, Gehr)
They
Shoot Horses, Don’t They? (1969, Pollack)
A
Touch of Zen (1969, Hu)
Husbands
(1970, Cassavetes)
La
Rupture (1970, Chabrol)
Zorns
Lemma (1970, Frampton)
Beware
of a Holy Whore (1971, Fassbinder)
Death
in Venice
(1971, Visconti)
The
Devils (1971, Russell)
Fata
Morgana (1971, Herzog)
Harold
and Maude (1971, Ashby)
Deliverance
(1972, Boorman)
Solaris
(1972, Tarkovsky)
Charley
Varrick (1973, Siegel)
F
for Fake (1973, Welles)
The
Friends of Eddie Coyle (1973, Yates)
Sleeper
(1973, Allen)
The
Sting (1973, Hill)
Bring
Me the Head of Alfredo Garcia (1974, Peckinpah)
Fear
Eats the Soul (1974, Fassbinder)
Parade
(1974, Tati)
The
Parallax View (1974, Pakula)
Primate
(1974, Wiseman)
The
Taking of Pelham One Two Three (1974, Sargent)
The
Text of Light (1974, Brakhage)
Young
Frankenstein (1974, M. Brooks)
Milestones
(1975, Kramer)
Harlan
County USA (1976, Kopple)
The
Man Who Fell to Earth (1976, Roeg)
Close
Encounters of the Third Mind (1977, Spielberg)
Hitler:
A Film From Germany
(1977, Syberberg)
Killer
of Sheep (1977, Burnett)
Suspiria
(1977, Argento)
That
Obscure Object of Desire (1977, Bunuel)
Gates
of Heaven (1978, Morris)
1941
(1979, Spielberg)
All
That Jazz (1979, Fosse)
Being
There (1979, Ashby)
The
Brood (1979, Cronenberg)
Monty
Python’s Life of Brian (1979, Jones)
My
Brilliant Career (1979, Armstrong)
Over
the Edge (1979, Kaplan)
Phantasm
(1979, Coscarelli)
Vengeance
Is Mine (1979, Imamura)
Airplane!
(1980, Zucker/Abrahams/Zucker)
Dressed
to Kill (1980, De Palma)
Kagemusha
(1980, A. Kurosawa)
Stardust
Memories (1980, Allen)
The
Aviator’s Wife (1981, Rohmer)
Dragonslayer
(1981, Robbins)
Modern
Romance (1981, A. Brooks)
My
Dinner With Andre (1981, Malle)
The
Road Warrior (1981, Miller)
They
All Laughed (1981, Bogdanovich)
Burden
of Dreams (1982, Blank)
L’Enfant
Secret (1982, Garrel)
Fanny
and Alexander (1982, Bergman)
Fitzcarraldo
(1982, Herzog)
Hours
for Jerome (1982, Dorsky)
Tenebre
(1982, Argento)
The
Thing (1982, Carpenter)
Veronika
Voss (1982, Fassbinder)
A
Nos Amours (1983, Pialat)
L’Argent
(1983, Bresson)
Ballad
of Narayama (1983, Imamura)
Koyaanisqatsi
(1983, Reggio)
The
Right Stuff (1983, P. Kaufman)
Sans
Soleil (1983, Marker)
Blood
Simple (1984, Coen)
Repo
Man (1984, Cox)
Secret
Honor (1984, Altman)
Top
Secret! (1984, Zucker/Abrahams/Zucker)
Come
and See (1985, Klimov)
Return
of the Living Dead (1985, O’Bannon)
Vagabond
(1985, Varda)
Broadcast
News (1987, J.L. Brooks)
The
Dead (1987, Huston)
Evil
Dead II: Dead by Dawn (1987, Raimi)
Family
Viewing (1987, Egoyan)
Full Metal Jacket (1987, Kubrick)
Full Metal Jacket (1987, Kubrick)
The
Princess Bride (1987, Reiner)
Rita,
Sue and Bob Too! (1987, Clarke)
RoboCop
(1987, Verhoeven)
September
(1987, Allen)
Where
Is the Friend’s Home? (1987, Kiarostami)
Withnail
& I (1987, Robinson)
Beetlejuice
(1988, Burton)
Cinema
Paradiso (1988, Tornatore)
Dead
Ringers (1988, Cronenberg)
Die
Hard (1988, McTiernan)
Distant
Voices, Still Lives (1988, Davies)
Talk
Radio (1988, Stone)
Close-Up
(1990, Kiarostami) [42]
Life
Is Sweet (1990, Leigh)
Metropolitan
(1990, Stillman)
Miller’s
Crossing (1990, Coen)
Paris Is Burning (1990, Livingston)
Wild
at Heart (1990, Lynch)
La
Belle Noiseuse (1991, Rivette)
Days
of Being Wild (1991, Wong)
Raise
the Red Lantern (1991, Zhang)
The
Silence of the Lambs (1991, Demme)
Slacker
(1991, Linklater)
La
Vie des Morts (1991, Desplechin)
Dead
Alive (1992, Jackson)
The
Last of the Mohicans (1992, M. Mann)
Life
and Nothing More (1992, Kiarostami)
Reservoir
Dogs (1992, Tarantino)
A
Tale of Winter (1992, Rohmer)
Twin Peaks: Fire Walk With Me
(1992, Lynch)
The
Bride With White Hair (1993, Yu)
Cold
Water (1994, Assayas)
Ed
Wood (1994, Burton)
Exotica
(1994, Egoyan)
Satantango
(1994, Tarr) [35]
Before
Sunrise (1995,
Linklater)
Casino
(1995, Scorsese)
Dead
Man (1995, Jarmusch)
Underground
(1995, Kusturica)
How
I Got Into An Argument… [My Sex Life] (1996, Desplechin)
Lone
Star (1996, Sayles)
Sling
Blade (1996, Thornton)
Boogie
Nights (1997, P.T. Anderson)
Fast,
Cheap and Out of Control (1997, Morris)
Funny
Games (1997, Haneke)
Lost
Highway (1997, Lynch)
The
Mirror (1997, Panahi)
Titanic
(1997, Cameron)
Train
of Shadows (1997, Guerin)
After
Life (1998, Kore-eda)
Buffalo
’66 (1998, Gallo)
The
Dreamlife of Angels (1998, Zonca)
The
Hole (1998, Tsai)
Rushmore
(1998, W. Anderson)
Saving
Private Ryan (1998, Spielberg)
Election
(1999, Payne)
Eyes
Wide Shut (1999, Kubrick)
Magnolia
(1999, P.T. Anderson)
Crouching
Tiger, Hidden Dragon (2000, A. Lee)
Songs
From the Second Floor (2000, Andersson)
Donnie
Darko (2001, Kelly)
Fat
Girl (2001, Breillat)
Ghost
World (2001, Zwigoff)
Pulse
(2001, K. Kurosawa)
Time
Out (2001, Cantet)
Trouble
Every Day (2001, Denis)
Y
Tu Mama Tambien (2001, Cuaron)
25th
Hour (2002, S. Lee)
Adaptation
(2002, Jonze)
Gerry
(2002, van Sant)
Irreversible
(2002, Noe)
The
Pianist (2002, Polanski)
Rules
of Attraction (2002, Avary)
The
Son (2002, Dardenne bros.)
The
Best of Youth (2003, Giordana)
Dying
at Grace (2003, King)
Lost
in Translation (2003, S. Coppola)
Lord
of the Rings: The Return of the King (2003, Jackson)
Memories
of Murder (2003, Bong)
Before
Sunset (2004, Linklater)
Kings
and Queen (2004, Desplechin)
Last
Life in the Universe (2004, Ratanaruang)
Sideways
(2004, Payne)
Tropical
Malady (2004, Weerasethakul)
The
Beat My Heart Skipped (2005, Audiard)
The
Death of Mr. Lazarescu (2005, Puiu)
Tale
of Cinema (2005, Hong)
I
Don’t Want to Sleep Alone (2006, Tsai)
INLAND
EMPIRE (2006, Lynch)
Syndromes
and a Century (2006, Weerasethakul)
No
Country for Old Men (2007, Coen bros.)
Silent
Light (2007, Reygadas)
A
Christmas Tale (2008, Desplechin)
The
Dark Knight (2008, Nolan)
Speed
Racer (2008, Wachowski/Wachowski)
WALL*E
(2008, Stanton)
Inglourious
Basterds (2009, Tarantino)
A
Serious Man (2009, Coen bros.)
Certified
Copy (2010, Kiarostami)
Inception
(2010, Nolan)
Toy
Story 3 (2010, Unkrich)
Margaret
(2011, Lonergan)
The
following titles on the Sight and Sound critics top 50 received no votes:
Battleship
Potemkin (1925, Eisenstein) [11]
Shoah
(1985, Lanzmann) [29]
Battle
of Algiers (1965, Pontecorvo) [48]
Histoire(s)
du Cinema (1998, Godard) [48]
La
Jetee (1962, Marker) [50, disqualified from Skuriels list due to duration]
Is it bad of me that I think the "one vote" category is more interesting than the top fifteen?
ReplyDeleteWell, it's definitely more diverse. No need for any kind of consensus to pop into the "one vote" category- just passion from one voter. It's the same reason why I included the "orphans" post- because even if only one person loves a movie, it's nonetheless nice to give that person a venue to praise it. If I wasn't afraid of asking too much of the voters, I would have asked for more submissions in this category.
ReplyDelete