The Skuriels: Individual Ballots (S-V)

Dan Sallitt:

(chronological)

The General (Buster Keaton and Clyde Bruckman, 1927)
Morocco (Josef von Sternberg, 1930)
An American Tragedy (Josef von Sternberg, 1931)
Ruggles of Red Gap (Leo McCarey, 1935)
Angel (Ernst Lubitsch, 1937)
History Is Made at Night (Frank Borzage, 1937)
Notorious (Alfred Hitchcock, 1946)
Daisy Kenyon (Otto Preminger, 1947)
Fort Apache (John Ford, 1948)
Diary of a Country Priest (Robert Bresson, 1950)
The Searchers (John Ford, 1956)
Vertigo (Alfred Hitchcock, 1958)
Rio Bravo (Howard Hawks, 1959)
Jules and Jim (Francois Truffaut,1961)
My Night at Maud's (Eric Rohmer, 1969)
Claire's Knee (Eric Rohmer, 1970)
La Rupture (Claude Chabrol, 1970)
The Bitter Tears of Petra von Kant (Rainer Werner Fassbinder, 1972)
The Mother and the Whore (Jean Eustache, 1973)
Naked (Mike Leigh, 1993)

Jenny Sekwa:

(ranked)

-  The Godfather - Coppola – 1972 *
-  The Godfather Part II - Coppola  - 1974 *
-  The 400 Blows - Truffaut - 1959
-  2001: Space Odyssey - Kubrick - 1969
-  Rashomon - Akira - 1950
-  The Wizard of Oz -  1939
-  Taxi Driver - Scorsese - 1976
-  Vertigo - Hitchcock - 1958
-  Pulp Fiction - Tarantino - 1994
-  Raiders of the Lost Ark - Spielberg - 1981
-  Cinema Paradiso - Tornatore - 1988
-  12 Angry Men -  Lumet - 1957
-  Memento - Nolan - 2000
-  McCabe and Mrs. Miller - Altman - 1971
-  Chinatown - Polanski - 1974
-  A Woman Under the Influence - Cassavetes - 1974
-  The Sting -  Hill - 1973
-  Dog Day Afternoon - Lumet - 1975
-  Citizen Kane - Welles - 1958

-  Annie Hall - Allen - 1977

"I have no clue how the critics participating in the Sight and Sound polls can pare their Greatest lists down to 10"  exclaimed everyone!

Michael Sicinski:

(chronological)

Au hasard Balthazar (Robert Bresson, 1966)

Citizen Kane (Orson Welles, 1941)

The Cloud-Capped Star (Ritwik Ghatak, 1960)

Do The Right Thing (Spike Lee, 1989)

Earth (Aleksandr Dovzenko, 1930)

Fear Eats the Soul (Rainer Werner Fassbinder, 1974)

Gertrud (Carl Theodor Dreyer, 1964)

Imitation of Life (Douglas Sirk, 1959)

Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975)

Louisiana Story (Robert Flaherty, 1948) 

The Man With the Movie Camera (Dziga Vertov, 1929)

A Moment of Innocence (Mohsen Makhmalbaf, 1996)

The Rules of the Game (Jean Renoir, 1939)

Shanghai Express (Josef Von Sternberg, 1932)

Still (Ernie Gehr, 1969) 

The Text of Light (Stan Brakhage, 1974) 

To Have and Have Not (Howard Hawks, 1944)

Tokyo Story (Yasujiro Ozu, 1953)

2001: A Space Odyssey (Stanley Kubrick, 1968)

Wavelength (Michael Snow, 1967)

Philip Tatler IV:

(ranked)

1. Night of the Hunter, The - Laughton, Charles - 1955
2. Ordet – Dreyer, Carl Th. - 1955
3. Rules of the Game, The – Renoir, Jean - 1939
4. Touch of Evil – Welles, Orson - 1958
5. Man Escaped, A – Bresson, Robert - 1956
6. Night of the Demon – Tourneur, Jacques - 1957
7. Red Shoes, The – Powell, Michael; Pressburger, Emeric - 1948
8. Stagecoach – Ford, John - 1939
9. Shadow of a Doubt – Hitchcock, Alfred - 1943
10. Fanny and Alexander – Bergman, Ingmar - 1982
11. King of Comedy, The – Scorsese, Martin - 1983
12. Crimes and Misdemeanors – Allen, Woody - 1989
13. Duck Soup – McCarey, Leo - 1933
14. Nosferatu – Murnau, F.W. - 1922
15. Once Upon a Time in the West – Leone, Sergio - 1968
16. Rome, Open City – Rossellini, Roberto - 1945
17. Empire Strikes Back, The – Kirshner, Irvin - 1980
18. Blue Velvet – Lynch, David - 1986
19. Days of Heaven – Malick, Terrance - 1978
20. Kiss Me Deadly – Aldrich, Robert – 1955

Adam Villani:

("stream of consciousness order")

- Aguirre, Wrath of God (Herzog, 1972)
- Taxi Driver (Scorsese, 1976)
- 2001: A Space Odyssey (Kubrick, 1968)
- The Shining (Kubrick, 1980)
- In the Mood for Love (Wong, 2000)
- Dancer in the Dark (von Trier, 2000)
- Lost Highway (Lynch, 1997)
- Nights of Cabiria (Fellini, 1957)
- Woman in the Dunes (Teshigahara, 1964)
- The Empire Strikes Back (Kershner, 1980)
- The Ballad of Narayama (Imamura, 1983)
- Apocalypse Now (Coppola, 1979)
- North by Northwest (Hitchcock, 1959)
- The Good, The Bad, and the Ugly (Leone, 1966)
- Alexander Nevsky (Eisenstein, 1938)
- West Side Story (Wise/Robbins, 1961)
- Robocop (Verhoeven, 1987)
- Star Wars (Lucas, 1977)
- The Dark Knight (Nolan, 2008)
- Onibaba (Shindo, 1964)

Froilan Vispo:

(ranked)

1. 2001: A Space Odyssey (Stanley Kubrick, 1968)

2. Contempt (Jean Luc Godard, 1963)

3. Gertrud (Carl Theodor Dreyer, 1964)

4. The Mirror (Andrei Tarkovsky, 1975)

5. The Age of Innocence (Martin Scorsese, 1993)

6. The Color of Pomegranates (Sergei Parajanov, 1968)

7. Jules et Jim (François Truffaut, 1962)

8. Silent Light (Carlos Reygadas, 2007)

9. A Brighter, Summer Day (Edward Yang, 1991)

10. Blue Velvet (David Lynch, 1986)

11. The Passion of Joan of Arc (Robert Bresson, 1962) 

12. A Moment of Innocence (Mohsen Makhmalbaf, 1996)  

13. The Bitter Tears of Petra von Kant (Werner Fassbinder, 1972)

14. Ugetsu Monogatari (Kenji Mizoguchi, 1953) 

15. L'Avventura (Michelangelo Antonioni, 1960)

16. Tokyo Story (Yasujiro Ozu, 1963)

17. Sunrise (F.W. Murnau, 1927) 

18. The Wind Will Carry Us (Abbas Kiarostami, 1999)  

19. Ran (Akira Kurosawa, 1985)

20. Songs from the Second Floor (Roy Andersson, 2000)

Scott von Doviak:

(alphabetical)

Apocalypse Now (Coppola, 1979)
Deliverance (Boorman, 1972)
The Discreet Charm of the Bourgeoise (Bunuel, 1972)
Don't Look Back (Pennebaker, 1967)
The Friends of Eddie Coyle (Yates, 1973)
The Godfather, Part II (Coppola, 1974)
In a Lonely Place (Ray, 1950)
Jaws (Spielberg, 1975)
McCabe and Mrs. Miller (Altman, 1971)
Mulholland Dr. (Lynch, 2001)
Psycho (Hitchcock, 1960)
Repo Man (Cox, 1984)
The Road Warrior (Miller, 1981)
The Shining (Kubrick, 1980)
Slacker (Linklater, 1991)
Sleeper (Allen, 1973)
Sunset Blvd. (Wilder, 1950)
Taxi Driver (Scorsese, 1976)
Treasure of the Sierra Madre (Huston, 1948)
The Wizard of Oz (Fleming, 1939)